The Old Man and the Sea

The Old Man and the Sea

The last novel Ernest Hemingway saw published, The Old Man and the Sea has proved itself to be one of the enduring works of American fiction. It is the story of an old Cuban fisherman and his supreme ordeal: a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Using the simple, powerful language of a fable, Hemingway takes the timeless themes of c...

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Title:The Old Man and the Sea
Author:Ernest Hemingway
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Edition Language:English

The Old Man and the Sea Reviews

  • Ahmad Sharabiani

    521. The Old Man and The Sea, Ernest Hemingway

    The Old Man and the Sea is a short novel written by the American author Ernest Hemingway in 1951 in Bimini, Bahamas, and published in 1952. It was the last major work of fiction by Hemingway that was published during his lifetime. One of his most famous works, it tells the story of Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream off the coast of Cuba.

    In 1953, The Old Man and the Sea was awarded the Pul

    521. The Old Man and The Sea, Ernest Hemingway

    The Old Man and the Sea is a short novel written by the American author Ernest Hemingway in 1951 in Bimini, Bahamas, and published in 1952. It was the last major work of fiction by Hemingway that was published during his lifetime. One of his most famous works, it tells the story of Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream off the coast of Cuba.

    In 1953, The Old Man and the Sea was awarded the Pulitzer Prize for Fiction, and it was cited by the Nobel Committee as contributing to their awarding of the Nobel Prize in Literature to Hemingway in 1954.

    عنوانها: مرد پیر و دریا - پیرمرد و دریا - ارنست همینگوی (نگاه) ادبیات؛ تاریخ نخستین خوانش: سال 1972 میلادی

    عنوان: مرد پیر و دریا؛ نویسنده: ارنست همینگوی؛ مترجم: م.خ. یحیوی؛ تهران، کانون معرفت، 1331، در 176 ص؛ چاپ دیگر: 1340؛

    مترجم: سعیدی، تهران، نشر شهریار، ؟؟، در 175 ص؛

    مترجم: رضا مرعشی، تهران، معراجی، ؟؟، در 128 ص؛

    عنوان: پیرمرد و دریا؛ نویسنده: ارنست همینگوی؛ مترجم: نازی عظیما؛ تهران، امیرکبیر، 1354، در 151 ص؛ چاپ سوم 1388، چاپ دیگر: تهران، افق، 1389، در 158 ص؛ شابک: 9789643696108؛ چاپ چهارم 1391؛

    عنوان: پیرمرد و دریا؛ نویسنده: ارنست همینگوی؛ مترجم: نجف دریابندری؛ تهران، خوارزمی، 1363، در 145 ص؛ ویرایش دوم 1372: در 224 ص؛ چاپ سوم 1385؛ چاپ چهارم 1389؛ در 222 ص؛ شابک: 9789644870729؛ چاپ پنجم 1392؛

    شرح تلاش‌های یک ماهیگیر پیر کوبایی به نام سانتیاگو ست، که هشتاد و چهار روز است یک ماهی هم نگرفته، اینبار در دل دریاهای دور، برای به دام انداختن یک نیزه‌ ماهی بسیار بزرگ، با آن ماهی وارد مبارزه ی مرگ و زندگی می‌شود. و ... نوشتن این کتاب یکی از برهانهای اهدای جایزه ی ادبی نوبل سال 1954 میلادی به ارنست همینگوی بوده‌ است. شخصیت «پیرمرد» در داستان «پیرمرد و دریا» دست کم در برخی موارد، برگرفته از شخصیت واقعی یک ماهیگیر کوبایی به نام «گرگوریو فوئنتس» بوده‌ است، که همینگوی ایشان را برای نگهداری از قایق خویش به نام «پیلار»، در کوبا استخدام کرده بودند. ا. شربیانی

  • Matt

    I read this as a young man and was disappointed. It didn't work for me. I thought it was about a crazy old man gone off the reservation, picking a fight with an innocent fish while ranting about the New York Yankees ("I would like to take the great DiMaggio fishing. They say his father was a fisherman...").

    I picked it up again, after the passage of some years, and found it incredibly poignant.

    It's a simple story. There's an old man, Santiago, who is a fisherman fallen on hard times. He is cared

    I read this as a young man and was disappointed. It didn't work for me. I thought it was about a crazy old man gone off the reservation, picking a fight with an innocent fish while ranting about the New York Yankees ("I would like to take the great DiMaggio fishing. They say his father was a fisherman...").

    I picked it up again, after the passage of some years, and found it incredibly poignant.

    It's a simple story. There's an old man, Santiago, who is a fisherman fallen on hard times. He is cared for by a young boy, Manolin, who no longer works on his boat. Santiago goes into the Gulf and engages in the fight of his life with a giant marlin. What follows is a dream-like, stream-of-conscious meditation as the old man matches strength and wits with the great fish.

    After 84 days of no fish, Santiago takes his skiff far out to sea. He drops his line and hooks a marlin. He can't pull it in, so he takes hold of the line, beginning the back and forth: when the marlin runs, he gives the line slack; when the marlin is still, he pulls the line in. The old man's hands are cut by the rope. His muscles strain. He has no food or water. Yet he doesn't give up. The obsession has shades of

    , except at the end of this novel, I didn't feel the need to dig up Melville and punch him in the skull:

    Eventually, the marlin is hauled in and killed. The old man attaches him to the boat, and begins to row towards shore. Of course, the marlin is dripping blood, so if you've seen

    or read

    , you can imagine that his dreams of hitting it big with this fish are probably not going to come to pass.

    Age teaches you a lot of things. You start to realize that you might never be the person you thought you'd be as a child. Days go by, you start to lose more and gain less. I thought about this as I thought about the old man, raging like Dylan Thomas against the night; an old man nearing the end of his days fighting against nature, time, death, a fish, able to boil all things down into one climatic struggle on the high seas. At the end, he did not succeed, at least not in the manner he'd foreseen, but he was, in an inimitable way, victorious.

  • Stephen

    My

    time reading

    and I absolutely

    . Sometimes the experience you have with a book can be effected by many things beyond the narrative itself, and I think that is certainly the case here. While I believe I would have loved this story regardless, there is no doubt that the stars aligned themselves perfectly to make this a singularly special read for me.

    Let me explain...

    Last year, I was in Napa with my wife and two of our best friends celebrating my (

    ) 40th birthday

    My

    time reading

    and I absolutely

    . Sometimes the experience you have with a book can be effected by many things beyond the narrative itself, and I think that is certainly the case here. While I believe I would have loved this story regardless, there is no doubt that the stars aligned themselves perfectly to make this a singularly special read for me.

    Let me explain...

    Last year, I was in Napa with my wife and two of our best friends celebrating my (

    ) 40th birthday. It was the latter part of October (near the end of harvest time) and the weather was perfect...

    , it’s Napa.

    We were staying at our favorite Napa sanctuary, the Villagio Inn and Spa.

    Though pricey, Vellagio is just about perfect, it's centrally located, with wonderful rooms, and one of the BEST breakfast spreads in the world...Hey, when you are going out drinking all day, it is important to load up on foodstuffs to avoid alcohol-related trouble. have a nice big breakfast before you go out and drink all day...it is called being

    .

    Speaking of drinking all day, we had just come back from an awesome tour of the

    which is, I shit you not, a real castle in the middle of Napa, California...

    …complete with

    ...and a

    …..yep, a rack, an Iron Maiden and some device that made me constipated just looking at it.

    .

    .

    .

    Anyway, we got back to the room and had a few hours to relax before a late dinner reservation. Well, I don’t sleep all that much and so, while my wife took a nap (light weight that she is), I decided I would find something fairly short to read. I choose this story because it was only 100 pages long (or just under 3 hours via audio) and it seemed to fit my time allotment perfectly.

    So, feeling a little buzzed and in a superb, yet contemplative mood (I had just turned 40 for crying out loud), I poured myself another glass of wine (shut up and don't judge me), went and sat on the balcony outside our room and, with the sun starting to go down, began listening to the audio version of this story.

    Well, this story slammed me and had me sucked in and captive from the very first words:

    By the way, now would be a good time to mention that the audio version I listened to was read by Donald Sutherland, and the marriage of the story with Sutherland’s perfect narration was nothing short of magical. In my opinion it is THE ONLY VERSION of the audio book that should be sold. 



    As many have said (and almost as many have complained), this is in many ways a simple story about an old Cuban fisherman named Santiago, who has had a significant run of bad luck fishing (i.e., 84 days).

    Attempting to change his luck, he decides to take his skiff further out than he has ever gone before, "

    " Eventually, he lands the largest Marlin he's ever seen and the bulk of the narrative details his epic struggle to reel in the fish and get it back to shore. 



    Yes, a simple story and Hemingway uses sparse, straight-forward prose...and devastates with them. The most powerful emotions, passions and struggles that people experience are often tied to the most basic needs and the most elemental aspects of who they are. I felt an immediate connection to the story and was deeply moved by the restrained, yet palpable power of the narrative.

    The most lasting message that I took away from the story was that, despite the many hardships Santiago faces, and the titanic trials that he endures on the open sea, I

    felt that I was supposed to pity or feel sorry for him in any way. Here was a person doing what he loves to do, what gives him purpose in life, and struggling with an iron will to accomplish his goal. The struggle is hard, it is difficult, but it is who he is and what gives him fulfillment in life. All I could feel was giant admiration for this man.

    I found this uplifting and a powerful reaffirmation of what is truly important in life.

    Whether it was the setting I was in, the mood I was in, the wine I was drinking, the wonderful narration or the power of the words themselves, in the end the result was the same. I felt ALIVE, and for that I say thank you “Papa” wherever you are!!! 


    That is basically it, but I wanted to leave you with my favorite line from the story, one that I think encapsulates everything Hemingway set out to accomplish in his tale.

    5.0 stars and one of my “All Time" favorites. HIGHEST POSSIBLE RECOMMENDATION!!

  • Will Byrnes

    It is intimidating to offer a truly critical look at such a classic, so we will ease into it with a few images.

    The GOP has offered us a ready-made item to begin this list, and yes, I know that John Stewart already snagged this one and threw it back.

    I turned up a visual art concept that fits in, for a restaurant based on EH themes:

    Although I did not sit for this photo, the resemblance is indeed striking

    And, of course

    The Old Man and the Cee Lo.

    I

    am certain there are plenty more images one

    It is intimidating to offer a truly critical look at such a classic, so we will ease into it with a few images.

    The GOP has offered us a ready-made item to begin this list, and yes, I know that John Stewart already snagged this one and threw it back.

    I turned up a visual art concept that fits in, for a restaurant based on EH themes:

    Although I did not sit for this photo, the resemblance is indeed striking

    And, of course

    The Old Man and the Cee Lo.

    I

    am certain there are plenty more images one might lure into our net, but sticking to words for a bit, we will pass on the porn offering, The Old Man and the Semen. How about the moving tale of a Navy Construction veteran, The Old Man and the Seabees, or an obstetrical episode of Grey's Anatomy, The Old Man and the C-Section. Then there might be a psychological drama about a man with bipolar disorder, The Old Man and the See Saw, or a book about an elderly acupuncturist, The Old Man and the Chi. How about a Disney adventure in which Paul Hogan rescues a pinniped, yes, gentle reader, The Old Man and the Seal. Maybe a bit of Cuban self-affirmation, The Old Man and the Si. I could go on, of course, and probably will, at home, until my wife threatens to leave. The possibilities

    rather endless. But the Geneva Conventions might be brought into play, and we can’t have that. Tackling such a review head on seems, somehow, wrong, like using paint by number to copy the Mona Lisa, carving the Pieta out of gigantic blocks of cheddar, writing a love poem for your beloved using MadLibs or

    At some point, though, I guess you have to, you know, fish or cut bait.

    I struggled mightily with this one, finding a hook, then having it pull away, grabbing hold of an idea and watching it disappear beneath waves of uncertainty. I tried waiting a while, resting between attempts, losing myself in other contemplations. Smiling a bit, but always hoping for something I could finally yank aboard. Notions of religious connections, Papa’s personal philosophy, and story-telling technique all pulled in diverse directions. As you will see, it was a not a simple contest. And I am not certain that what I ultimately caught is all that filling.

    So opens

    , the book, we hear tell, that convinced the Nobel committee to reel in EGH with the biggest literary hook of them all. Santiago is an old, unlucky, but skilled Cuban fisherman. He has an able assistant, the young Manolin. The lad is not a blood relation, but he sees a father figure in the old man, and he may be a younger reflection of the old man himself. Maybe Santiago sees himself in the young man and takes some strength from that. Like the best sort of father, he teaches the boy to fish rather than fishing for him. But Santiago’s ill fortune has marked him as someone to be avoided and Manolin’s parents have put the kibosh on their professional association. The old man is determined to salvage his reputation, and his honor, and bring in some money by going farther out than the other fishermen are willing to sail, in search of redemption. No herald calls him to action. No dramatic event sparks him to excessive risk. It is an internal challenge that powers his engines. But it is a quest nonetheless on which Santiago embarks.

    Any time there are fish involved, one might presume a degree of soul saving. I do not know enough Hemingway to have a take on whether or not that figured here. I raise it only as a passing thought. But the second sentence of the book offers a hint. “In the first forty days…”clearly places Santiago’s travails alongside another person who spent forty days in a different barren environment. It was after being baptized that Jesus spent his time in the desert, preparing for what awaited. Is Santiago to be tested here? Will he be offered a route away from his difficult path?

    The waters are becalmed. Nothing moves. A moment, then, for a digression. OK, let’s try some simple arithmetic, if Jesus, at age 30, spent 40 days in the desert, and Santiago has gone 84 days in his version of the desert, just how old is the old man? 63, according to my calculations. Possible. I do not recall seeing an actual age noted, so I am gonna go with that. I know you guys will let me know if an actual age is revealed somewhere and my squinty geezer eyes missed it. Done. I can feel a slight breeze beginning to flutter the sail.

    Some sort of religion seems to flow through this fish tale. Not only are we sprinkled with forty-day references, but Santiago discusses sin. In his struggles he suffers physical damage in which some might see an echo of Calvary. But I think that is a stretch, personally. So, we have a bit of religion, and a quest. What is Santiago questing for? Redemption would fit in nicely. Having failed for a long time, he feels a need to redeem himself in the eyes of his community. Maybe not a religious thing, per se, but swimming in the same waters. And speaking of religion, water as a baptismal element is always a possibility, although somewhat diluted here, as Santiago makes his living on the water.

    The old man is strong, skilled and determined. Maybe it is his character that is at issue. Maybe somehow, taking on this challenge is a way to prove to himself that he is truly a man. He goes about his business, and his fishing is his fate, maybe even his life. It is in how he handles himself when faced with this challenge that will show us the sort of person he is, a common Hemingway theme, and he does just that.

    This is a very short novel, more, maybe, a novella or large short story. But it has the feel of a parable. There is definitely something going on here even if it keeps slipping out of my analytical net.

    I was reminded of another well-known fish story, Moby Dick (really, allow a little literary license here people. Yes I know the whale is not a fish. Geez.). Whereas in that one, the fisherman, Ahab, sets himself against the whale, and therefore either fate or god, seeing a personal enemy, Santiago sees the fish as his brother, a fellow creature in the universe acting out his part. The challenge is always about oneself and not about the external enemy, or rival. In fact, the fish and Santiago are both victimized, together, by the sharks that feast on his catch.

    One might be forgiven for seeing here a possible reference to catholic communion and the relative merit of so many of those who receive. Is the fish (a Christian symbol if there ever was one) meant to be Jesus or some other form of deity, as Moby was?

    Could it be that Hemingway’s notion of religion is less Christian and more a sort of materialist (as in non-spiritual, not as in accumulating stuff) philosophy? Lacking the proper tackle for that I will leave such considerations to those who have spent more time than I trolling Hemingway’s waters.

    The writing is mostly either third-person description or the old man’s internal, and sometimes spoken, dialogue. Regardless of the literary ambitions splashing about here, the story is about a very sympathetic character. Santiago is a man not only of physical strength, but moral character. He is not portrayed as a saint, but as a simple man, maybe even, in a way, an ideal man in his simplicity. He knows his place in the world, faces the challenges that world presents to him and using only his skill, intelligence, strength and determination, overcomes (or not). It is easy to climb on board as a Santiago supporter. He is a fellow who is very much a part of the world, even as he contemplates larger things.

    The Old Man and the Sea is a small story, but it is a whale of a tale. If you have not fished these waters before, don’t let this be one of those that got away.

    ==============================

    1/5/13 - Jeffrey Keeten sent along this

    . Gary Wyatt had shared it with him. It will definitely make you smile

    6/20/13 - I discovered that one of the images I used had vanished into the ether, so I substituted another["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>

  • Lisa

    My children and I were crossing a bridge in Rome. Our senses were acutely sharpened. We were aware of each minute spent in this capital of human storytelling, of the neverending drama of human culture and nature in interaction and in occasional clashes. Looking out over the river, my son and I spot the sorry remains of a boat, just the bare metal frame without any "flesh", and we instinctively say at the same time:

    "Hemingway's old man!"

    We look at each other, smile at our simultaneous association

    My children and I were crossing a bridge in Rome. Our senses were acutely sharpened. We were aware of each minute spent in this capital of human storytelling, of the neverending drama of human culture and nature in interaction and in occasional clashes. Looking out over the river, my son and I spot the sorry remains of a boat, just the bare metal frame without any "flesh", and we instinctively say at the same time:

    "Hemingway's old man!"

    We look at each other, smile at our simultaneous association, and start arguing whether or not one can see the fish in the same way as a boat, or whether the destruction of the boat is a more definitive loss. While we are arguing, my younger children are enquiring about the story we discuss, and we give them the details.

    "Losing something means you really had it!"

    That is their conclusion, and while my eldest son and I start pondering whether or not the younger two are ready for the old man and the sea in Hemingway's own words, we continue walking, and life goes on, and a new generation of Hemingway readers find sense and meaning in his parable on the human struggle.

    We feel like saying: "I'm sorry, boat!", in the same way the old man said: "I'm sorry, fish!"

    But the fact that it lies there showing its naked metal ribs tells us it truly existed. That's more than nothing. And it is not a bad place for a boat to rest. Just like the old man and the fish are in good hands between the covers of a Hemingway novel.

    Nothing's lost as long as we can tell stories about it.

    Brilliant parable of man's struggle with nature and himself. Beautifully written. One of my favorite Hemingways.

    PS: And a Pulitzer that I don't find disappointing.

  • Nayra.Hassan
  • Madeline

    "There isn't any symbolism. The sea is the sea. The old man is an old man. The boy is a boy and the fish is a fish. The sharks are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know."

    -Ernest Hemingway

  • Matt

    Worst book ever.

    Just throw the fucking fish back in. Fuck.

  • Sara

    Oh, my good lord in heaven. Cut your line, land your boat and go to McDonald's! Just as in the case of The Great Gatsby, I understand the book. Yes, I know it changed the way American writers write. I also understand that it celebrates the ridiculous American idea that you're only a REAL man if you've done something entirely purposeless, but really dangerous, in pursuit of making yourself look like the bull with the biggest sexual equipment. Get over it, already! Go home and clean out the refrig

    Oh, my good lord in heaven. Cut your line, land your boat and go to McDonald's! Just as in the case of The Great Gatsby, I understand the book. Yes, I know it changed the way American writers write. I also understand that it celebrates the ridiculous American idea that you're only a REAL man if you've done something entirely purposeless, but really dangerous, in pursuit of making yourself look like the bull with the biggest sexual equipment. Get over it, already! Go home and clean out the refrigerator, or wash the curtains, or vacuum under the furniture. Pick your kids up from school or take your daughter bra shopping. THAT would impress me. Being too dumb to cut your fishing line? Not the mate I would pick...

    The only bright spot about the book is if you think of it on a metaphorical level: there is a point at which ALL of us must grit our teeth and hold on in the face of despair. That is the definition of life. However, if that's the point, then the plot situation needs to be one of necessity (like the shipwreck in Life of Pi), instead of stubbornness.

    ************

    It's been a while since I wrote this review, and there's a lot of amusing speculation in the comments people have attached. I have to say, they crack me up. Here's my final word on reviewing on Goodreads (or anywhere); One of the most important elements of reading is that it allows each of us to react in the way we need to react, without judgment, as we experience the book. This is how I reacted to The Old Man and the Sea. Hemingway is dead, or I wouldn't have been so up-front with my opinion. He's not insulted, I understand that we all need goals in life, and I've been happily married for a LONG time. Now take a deep breath and smile. Life is too short to be anxious about picayune stuff like this.

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